As part of my work with Start in Salford I wanted to plan
a workshop or series of workshops to hold for the members I am working with. I
think this workshop would work best with the Visual Arts group, as it is an
environment that is very open, and the members can drop in anytime they like to
continue the work they are doing as part of the classes.
Materials:
Baby books with some/all of the top layers of plasticised
paper torn off
Magazines, newspapers, wrapping papers, wallpapers etc
Photographs
Stickers
Glue
Paints, pencils, crayons, inks
Scissors, craft knives
The idea behind my workshop is for participants to
produce personalised books, using collage, drawing, painting and any other
medium they like. In this particular workshop I would provide the participants
with the cardboard children’s books that can be easily and cheaply sourced from
bookshops and charity shops. These will provide a base for people to work on
that is tactile and durable.
Many of the members at Start aren’t particularly artistic
so by providing things for collage and painting this allows them to still
produce beautiful and interesting books even if they aren’t confident with
their drawing or writing skills. If this workshop was to go ahead I would let
the participants know the week prior so they would be able to bring in personal
things like photographs, images they like, meaningful words/lyrics/poetry etc
so that the books can be made even more personal.
However a lot of the members are quite private and not
particularly forthcoming with feelings and personal things, so I have also
provided the opportunity for less personal but still interesting books to be
made by providing things like patterned papers, wall papers etc. I think it’s
important that the participants be comfortable with how personal or impersonal
this workshop allows them to be, I don’t want people to feel forced into making
something too open, so this workshop will just give them an option of how open
they want to be.
What I like about books is that it creates a more
personal relationship between artist and audience. While looking at a painting
or sculpture is still very enjoyable and interesting, when you open and look at
a book you interact with the work, taking time to go through the pages and
reading into it, into the artists mind. This can make the book precious and
treasured.
In this particular workshop, the books already exist and
it’s more a case of personalising and decorating it. This workshop could be
expanded to a series of classes, with each session being different ways to
create books. The reason I chose to provide existing books to work on is that
some of the people I work with at Start aren’t very confident in their making
skills, so this provides a base for them to work on. As the weeks progress
though, I reckon I could help build the members’ confidence in their skills.
My proposal got a good response when I presented it to my
peers. Because the other students are around the age of some of the younger
members at Start it felt appropriate to show it to them how I’d present to the
people at Start that would participate in it as they could relate easily to
what I want to teach. I say this, because when some of the other groups that
are doing their placements at Venture Arts and some of the care homes, we had
to put ourselves in their members’ shoes so we could understand how the
workshops would really be for them. This was interesting so we could really see
how different it is when working with various groups and types of people and
how their different skill sets and physical disabilities will affect the
teaching methods and how adaptable we ourselves need to be as teachers.
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